CAVALLUNA - The Colours of Life
Antwerp
CAVALLUNA returns -- and takes the audience on a fascinating and colourful journey through an enchanting world full of sensory experiences and touching moments in its unique new programme 'The Colours of Life' from October 2026 to June 2027.
In over 30 cities across Europe, the impressive production transforms large arenas into spectacular stages: almost 60 horses, breathtaking dance performances, rousing music, elaborate costumes and a dreamlike stage design thrill a wide audience -- from families to horse fans.
The show impressively proves that CAVALLUNA is much more than just a horse show. It is a unique work of art that combines emotions, artistry and human-animal relationships in an impressive way and has been unrivalled in its existence for 23 years now.
Storyline
The new production centres on the moving story of the shepherd boy Arhat. Growing up in the remote mountains of northern India, he is tasked by his deceased mother with freeing people from the veil of oblivion -- an invisible force that makes them forget their true purpose in life.
On this mission, he meets Shaneya and embarks on an adventurous journey with her, during which he must confront the ruthless merchants of fear and free humanity from its cruel curse.
Their journey takes them not only through the vast lands of India, but also into the world of the gods -- for this is where the curse originated.
Performance Highlights
Guests can enjoy two and a half hours of enchanting performances: classical and modern dressage, impressive trick riding, deeply moving liberty numbers, cheeky ponies and a spectacular Hungarian post.
The programme also includes unusual choreography by an international dance company and thrilling special effects.
'CAVALLUNA -- The Colours of Life' enchants young and old alike, not only with a touching story -- told in beautiful scenes -- but above all with the unique connection between humans and horses.
The complete timing can be found a few days before the concert on www.afas-dome.be.
